Picture I took at PRUNKSAAL-library in Vienna, Austria

Sunday, May 30, 2010

55. SLAMMERKIN


Emma Donoghue 2000

A unique book with a very unlikely protagonist in Mary Saunders who becomes a prostitute in 18th century London because she coveted a red ribbon. She wears and becomes a Slammerkin, a loose dress for a loose woman. This historical fiction shows the consequences of this chosen path, the many chances she had to change this path, and the fitting ending as a consequence of this path.

"There was once a cobbler called Saunders who died for eleven days. At least, that was how his daughter remembered it."(opening lines)

"Eleven years later Mary Sauders was back on her knees, herself in gaol. Like father, like daughter."(2)

"The ribbon had been bright scarlet when Mary Saunders first laid eyes on It, back in London. 1760: she was thirteen years old."(7)

"Other girls seemed unburdened by ambition; most folks seemed content with their lot. Ambition was an itch in Mary's shoe, a maggot in her guts. Even when she read a book, her eyes skimmed and galloped over the lines, eager to reach the end."(19)

'A troubled shared is a trouble halved. Maybe she'd been bred up for this very purpose, to stand as a buffer between Susan Digot and her fate.'Like mother, like daughter."(23)

"Doll Higgins was always saying brutal things as if they were jokes. But for all her talk about every girl for herself, she did let Mary stay in her room for a fortnight, sharing her mattress, and brought her the occasional plate of bread and Yarmouth herrings, and the odd basin of icy water with a rag to clean herself as best as she could."(37)

"'Slammerkin. A loose dress for a loose woman. Ever noticed the words for us all sound drunk?" Doll put on an intoxicated slur.'Slovenly, slatternly sluts and slipshod, sleezy slammerkins that we are!'"(47)

"Because of course this was the only trade. Her eyes had been forced open. The fact was, there was nothing else a fourteen-year-old girl could do that would earn a fraction of what Mary was making, now she was hardened enough to stand up to the cullies and set her price."(55)

"Let it be a lesson to you, dear heart, never to pay poundage to any idle pimp or bawd. Every girl for herself, remember? Here's the first rule: Never give up your liberty."(70)

"Remember, sweetheart, you should go without a week of dinners sooner than pawn your last good gown. That was rule two: Clothes make the woman."(70)

"Clothes are the greatest lie every told."(71)

"As the bodied had to stay up for an hour, now was the time for the bringing out of the picnics. Doll produced a sweetbread pie, and Mary ate her half with a good enough appetite, though she kept glancing over her shoulder at where the Metyards hung, over the stained sawdust."(76)

"The Magdalen Hospital was an imposing block of stone. Hours after the line of petitioners had formed, it still stretched along two sides of the building. There had to be forty girls here..."(85)

"The Matron's eyes darkened with concern as she addressed them before breakfast:'This is your great opportunity to shed the past and start afresh.'Otherwise the rules were simple: No drink, lie-a-beds, swearing, gaming, quarreling, or indecency. No one is kept here against her will."(92)

"Thread seem to obey Mary; cloth lay down obediently at her touch. She couldn't imagine what the other girls found so difficult, or how they were so waylaid by snags and knots."(94)

"There was nothing to tell Mary how long Doll had been here, waiting with this ironical curve to her lips. Had she been hungry? Feverish? Too drunk to remember to go home at the end of the night? Too cold to feel how cold she was, or too old to fight it off any more? Had she not a friend in the world to come looking?"(115)

"Lying still in bed, she spared a thought for Daffy. Was he asleep, or lying awake cursing her? How her life might have changed all at once with the slip of a syllable, a simple yes. To be a wife and a mother in a small country town was the life millions led and other millions prayed for. What gave Mary the right to resent the dull round of domestic duties, to demand a life of silks and gold? What was the tapeworm in her stomach that always made her hunger for more?"(281)

'She thought of her body: the rubbery dampness of it. How it served her. How it wearied her."(283)

"As Mary climbed into bed, Abi held onto the hem of the blanket. She heard a faint clink: a chain, or a necklace, or a coin on another coin? Then the soft scraping of a bag being shoved back under the bed, and Mary lay down flat again."(293)
____________________________

First Harvest edition 2002
386 pages

Book owned
____________________________

Personal Note: I have had this book for a long time, and never started it, but Books are a Garden gave it an A and she was right. Thanks Rachel.

Saturday, May 29, 2010

BOOKS READ - MASTER LIST



BOOKS READ: Before 2010
BOOKS READ: 2010
           TOTAL BOOKS- 153
BOOKS READ: 2011
Updated December 31, 2011 -101
BOOKS READ: 2012
Updated October 12, 2012 - 43
BOOKS READ: 2013
Updated January 25, 2013- 5

*11/22/63 by Stephen King
*1984 by George Orwell
*84,CHARING CROSS ROAD by Helene Hanff

*ABSOLUTELY TRUE DIARY OF A PART-TIME IMDIAN, THE by Aherman Alexie
*Accidental Tourist by Anne Tyler
*ALCHEMIST,The by Paulo Coelho
*ALL THE KING'S MEN by Robert Penn Warren
*American Adventures of Kavalier & Clay, the by Michael Chabon
*American Music by Jane Mendelsohn
*American Wife by Curtis Sittenfield
*An Arsonist's Guide to Writer's Homes in England by Brock Clarke
*AND NEVER LET HER GO by Ann Rule
*AND THEN THERE WERE NONE by Agatha Christie, reread 2011
*ANGELS & DEMONS by Dan Brown
*ANGEL'S GAME, The by Carlos Ruiz Zafon
*Angela's Ashes by Frank McCourt
*ANIMAL FARM by George Orwell
*Anna and the French Kiss by Stephanie Perkins
*ANNA KARENINA by Leo Tolstoy
*ANNE FRANK: THE DIARY OF A YOUNG GIRL by Anne Frank
*ANNE OF GREEN GABLES by L.M. Montgomery
*Ape House, The by Sara Gruen
*ART OF FIELDING, THE by Chad Harbach
*ART OF HAPPINESS, The by Dalai Lama XIV
*ART OF RACING IN THE RAIN, the by Garth Stein
*Atonement by Ian McEwan
*AUTHENTIC HAPPINESS by Martin Seligman

*BALZAC AND THE LITTLE CHINESE SEAMSTRESS by Dai Sijie
*Bean Trees, the Barbara Kingsolver
*BEATRICE AND VIRGIL by Yann Martel
*Bee Season by Myla Goldberg
*BEFORE I FALL by Lauren Oliver
*BEL CANTO by Ann Patchett
*BELL JAR by Sylvia Plath
*Belong To Me by Marisa de los Santos
*BIG SLEEP, the by Raymond Chandler
*BILLIONAIRE'S VINEGAR, the by Benjamin Wallace
*BLIND ASSASSIN, the by Margaret Atwood
*BLINDNESS by Jose Saramago
*BLINK by Malcolm Gladwell
*Bloodroot by amy Greene
*BOOK OF JONAS,the by Stephen Dau

*Book of Lost Things, The by John Connolly
*BOOK THIEF, The by Markus Zusak
*BOSSYPANTS by Tina Fey
*BOY IN THE STRIPED PYJAMAS, The by John Boyne
*Boy with the Cuckoo-Clock Heart,The by Mathias Malzieu
*BRAVE NEW WORLD by Aldous Huxley
*Breakfast at Tiffany's by Truman Capote

*Brief Wondrous Life of Oscar Wao, the by Junot Diaz

*CAPTAIN CORRELLI'S MANDOLIN by Louis de Bernieres
*Casual Vacancy, The by JK Rowling
*CAT'S CRADLE by Kurt Vonnegut
*Cat's Eye by Margaret Atwood
*CATCH-22 by Joseph Heller

*CATCH ME IF YOU CAN by Frank W.Abagnale
*CATCHER IN THE RYE by J.D. Salinger
*CATCHING FIRE by Suzanne Collins
*Centaur,The by John Updike
*CHARLIE AND THE CHOCOLATE FACTORY by Roald Dahl
*CHARLOTTE'S WEB by E.B. White
*Chasing Francis by Ian Morgan
*Chicken Soup for the Soul by Jack Canfield
*CHILD 44 by Tom Rob Smith
*Chosen, The by Chaim Potok
*CHRONICLES OF NARNIA, The - Book 1: THE MAGICIAN'S NEPHEW by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 2: THE LION, THE WITCH AND THE WARDROBE by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 3: THE HORSE AND HIS BOY by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 4: PRINCE CASPIAN by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 5: THE VOYAGE OF THE DAWN TREADER by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 6: THE SILVER CHAIR by C.S. Lewis
*CHRONICLES OF NARNIA, The - Book 7: THE LAST BATTLE by C.S. Lewis
*CLOCKWORK ANGEL by Cassandra Clare
*Club Dumas by Arturo Perez-Reverte
*COLOR PURPLE,The by Alice Walker
*COMA by Robin Cook
*Come, Thou Tortoise by Jessica Grant
*COMPLETE BEATLES LYRICS,THE by the Beatles

*Confederacy of Dunces,A by John Kennedy Toole
*Confessions of a Shopaholic by Sophie Kinsella
*Consequences of Love, The by Sulaiman Addonia
*CORALINE by Neil Gaiman
*COUNT OF MONTE CRISTO, THE by Alexandre Dumas
*CRIME AND PUNISHMENT by Fyodor Dostoevsky
*CRY, THE BELOVED COUNTRY by Alan Paton
*Crying Tree, the by Nassem Rakha
*Curious Incident of the Dog in the Night-Time, The by Mark Haddon
*CUTTING FOR STONE by Abraham Verghese

*Dante Club,The by Matthew Pearl
*DAVINCI CODE by Dan Brown
*Day After Night by Anita Diamant
*DEATH ON THE NILE by Agatha Christie

*DECEPTION POINT by Dan Brown
*Delirium by Lauren Oliver
*DESCENDANTS,THE by Kaui Hart Hemmings

*DEVIL IN THE WHITE CITY,The by Erik Larson
*Digital Fortress by Dan Brown
*DIVERGENT by VERONICA ROTH

*DOWN THE NILE by Rosemary Mahoney
*DR. JEKYLL AND MR HYDE by Robert Louis Stevenson
*DRACULA by Bram Stoker


*EAST OF EDEN by John Steinbeck
*Elegance of the Hedgehog, The by Muriel Burbery
*Emperor's Children by Claire Messud
*Empty Glass, The by J.I. Baker

*EMPTY PROMISES by Ann Rule
*End of the Alphabet,The by C.S. Richardson
*ENDER'S GAME by Orson Scott Card

*ETHAN FROME by Edith Wharton
*EVE: A NOVEL OF THE FIRST WOMAN by Elissa Elliott
*EVERY BREATH YOU TAKE by Ann Rule
*Every You, Every Me by David Levithan

*EVOLUTION OF CALPURNIA TATE, the by Jacqueline Kelly
*EXIT THE ACTRESS by Priya Parmar
*EXTREMELY LOUD & INCREDIBLY CLOSE by Jonathan Safran Foer

*Farenheit 45 by Ray Bradbury
*FAR FROM THE MADDING CROWD by Thomas Hardy
*FAULT IN OUR STARS, The by John Green
*Fifty Shades of Grey by E.L. James
*FIGHT CLUB by Chuck Palahniuk
*FINGERSMITH by Sarah Waters
*FIRST PART LAST, THE by Angela Johnson
*FIVE PEOPLE YOU MEET IN HEAVEN,THE by MITCH ALBOM
*FORGOTTEN GARDEN,the Kate Morton
*FOUNTAINHEAD by Ayn Rand
*FRANNY AND ZOOEY BY J.D.SALINGER
*FRANKENSTEIN by Mary Shelley
*FREEDOM by Jonathan Franzen
*Freakanomics by Steven D. Levitt
*Fortunate Age,A by Joanna Smith Rakoff
*Future of Us,The by Jay Asher and Carolyn Mackler


*Garden Spells by Sarah Addison Allen
*GIFT FROM THE SEA by anne Morrow Lindbergh
*GIRL IN HYACINTH BLUE by Susan Vreeland
*GIRL WITH THE DRAGON TATTOO, The by Stieg Larson
*GIRL WHO KICKED THE HORNET'S NEST, The by Stieg Larson
*GIRL WHO PLAYED WITH FIRE,The by Stieg Larson
*Girl with Glass Feet,The by Ali Shaw
*GIVER,The by Louis Lowry
*GLASS CASTLE,The by Jeanette Walls
*Go Ask Alice by Anonymous
*God of Small Things, the by Arundhati Roy
*GODFATHER, The by Mario Puzo
*Golf for Enlightenment by Deepak Chopra
*GONE GIRL by Gillian Flynn

*GONE WITH THE WIND by Margaret Mitchell
*Good Earth, The by Pearl Buck
*Good Hard Look,A by Ann Napolitano
*Good Life,The by Jay McInerney
*Good Thief, The by Hanna Tinti
*GRACELING by Kristin Cashore
*GRAPES OF WRATH,THE by John Steinbeck
*GREAT EXPECTATIONS by Charles Dickens
*GREAT GATSBY,The by F.Scott Fitzgerald
*Great House by Nicole Strauss
*GUERNSEY LITERARY AND POTATO PEEL PIE SOCIETY,The by Mary Ann Shaffer

*HANDMAID'S TALE,The by Margaret Atwood
*Handful of Dust,A by Evelyn Waughn
*HARRY POTTER AND THE SORCERER'S STONE by J.K. Rowling
*HARRY POTTER AND THE CHAMBER OF SECRETS by J.K. Rowling
*HARRY POTTER AND THE PRISONER OF AZKABAN by J.K. Rowling
*HARRY POTTER AND THE GOBLET OF FIRE by J.K. Rowling
*HARRY POTTER AND THE ORDER OF PHOENIX by J.K. Rowling
*HARRY POTTER AND THE HALF-BLOOD PRINCE by J.K. Rowling
*HARRY POTTER AND THE DEATHLY HALLOWS by J.K. Rowling
*Haunting of Hill House,The by Shirley Jackson
*Heart is a Lonely Hunter,The by Carson McCullers
*HELP by Kathryn Stockett
*Her Fearful Symmetry by Audrey Niffenegger
*HIGH FIDELITY by Nick Hornby
*HISTORY OF LOVE,The by Nicole Krauss
*Honeymoon,The by Justin Haythe
*HOUND OF THE BASKERVILLES,The by Sir Arthur Conan Doyle
*Hours, The by Michael Cunningham
*HOUSE AT RIVERTON,the by Kate Morton
*House of God by Samuel Shem
*HOUSE OF MIRTH,The by Edith Wharton
*HOUSE OF SAND AND FOG by Andre Dubus III
*How the Garcia Girls Lost Their Accent by Julia Alvarez
*How to Talk to a Widower by Jonathan Troper

*HUNGER GAMES,The by Suzanne Collins

*I Am America by Stephen Colbert
*I AM THE MESSENGER by Markus Zusak
*I CAPTURE THE CASTLE by Dodie Smith
*I Feel Bad about My Neck by Nora Ephron
*I KNOW WHY THE CAGED BIRD SINGS by Maya Angelou
*IF I STAY by Gayle Forman
*IF YOU REALLY LOVED ME by Ann Rule
*ILUSTRADO by Miguel Syjuco
*IMMORTAL LIFE OF HENRIETTA LACKS by Rebecca Skloot
*IMPERFECTIONISTS, The by Tom Rachman
*Impossible by Nancy Werlin
*IN COLD BLOOD by Truman Capote

*IN THE KEY OF GENIUS by Adam Ockelford
*Insurgent by Veronica Roth
*Interpreter of Maladies by Jhumpa Lahiri
*INTO THIN AIR by Jon Krakauer


*JAMES AND THE GIANT PEACH by Roald Dahl
*Jane Austen Book Club, the by Karen Joy Fowler
*JANE EYRE by Charlotte Bronte
*Jeff in Venice, Death in Varanasi by Geoff Dyer
*JOHN LENNON:THE LIFE by Philip Norman
*JONATHAN STRANGE & MR NORRELL by Susanna Clarke
*JOURNAL OF A NOVEL: The East of Eden Letters by John Steinbeck
*JUDE THE OBSCURE by Thomas Hardy
*Julie and Julia by Julie Powell

*Kafka on the Shore by Haruki Murakami
*KIND OF INTIMACY,A by Jenn Ashworth

*KISS ME, KILL ME by Ann Rule
*KITE RUNNER,The by Khaled Hosseini
*Know-it-all:One Man's Humble Quest to Become the Smartest Person in the World by A.J. Jacobs

*Lace Reader,The by Barry Brunonia
*Lake, The by Banana Yoshimoto
*LANGUAGE OF FLOWERS by Vanessa Diffenbaugh

*LARK AND TERMITE by Jayne Anne Philips
*LAST BRIDGE,The by Teri Coyne
*LAST CHILD, The by John Hart
*LAST CHINESE CHEF, The by Nicole Mones
*Last Night at the Lobster by Stewart O'Nan
*Last Night in Montreal by Emily St. John Mandel
*LESSON BEFORE DYING,A by Ernest J. Gaines
*LETHAL PASSAGE: The Story of a Gun by Erik Larson
*Life of Pi by Yann Martel
*LIGHTNING THIEF by Rick Riordan
*LIKE WATER FOR CHOCOLATE by Laura Esquirel
*LITTLE PRINCE,The by Antoine de Saint-Exupery
*LITTLE PRINCESS, A by Frances Hodgson Burnett
*LITTLE WOMEN by Luisa May Alcott
*LOCK ARTIST,THE by Steve Hamilton
*LOLITA by Vladimir Nabokov
*LONG FATAL LOVE CHASE,A by Louisa May Alcott
*LOOKING FOR ALASKA by John Green
*LOON FEATHER,The by Iola Fuller
*Lord of the Flies, the by William Golding
*Lost in Translation by Nicole Mones

*Lost Symbol, the by Dan Brown
*LOTUS EATERS,the by Tatjan Soli
*Love and Summer by William Trevor
*LOVER'S DICTIONARY, THE by David Levithan

*LOVING FRANK by Nancy Horan

*MADAME BOVARY by Gustave Flaubert
*MAN'S SEARCH FOR MEANING by Victor E.Frankl
*MARRIAGE PLOT, THE by Jeffrey Eugenides
*MARY POPPINS by P.L. Travers
*Matched by Ally Condie
*MATILDA by Roald Dahl

*Maze Runner,the by James Dashner
*MEASURE OF A MAN, THE by Sidney Poitier

*MEMOIRS OF A GEISHA by Arthur Golden
*Memory Keeper's Daughter,The by Kim Edwards
*Mermaids in the Basement by Michael Lee West
*MIDDLEMARCH BY George Eliot

*MIDDLESEX by Jeffrey Eugenides
*Midnight Champagne by A. Manette Assay
*MIDNIGHT IN THE GARDEN OF GOOD AND EVIL by John Berendt

*MOCKINGJAY by Suzanne Collins
*Moloka'i by Alan Brennert
*Monster of Florence,The by Douglas Preston
*Mozart's Ghost by Julia Cameron
*Mrs. Dalloway by Virginia Woolf

*MURDER ON THE ORIENT EXPRESS by Agatha Christie
*Music for Torching by A.M. Homes
*MUSIC LESSON,The by Victor Wooten
*Music Teacher,The by Barbara Hall
*MY ANTONIA by Willa Cather
*MY NAME IS MARY SUTTER by Robin Oliveira
*My Sister's Keeper by Jodi Picoult

*Name of the Rose,The Umberto Eco
*NAMESAKE,The by Jhumpa Lahiri
*NARRATIVE OF THE LIFE OF FREDERICK DOUGLASS by Frederick Douglass
*NEITHER HERE NOR THERE by BILL BRYSON
*Netherland by Joseph O'Neill
*Never Let Me Go by Kazuo Ishiguro
*NEW YORK DIARIES,The by Daniel Drennan
*New York Trilogy,The by Paul Auster
*NEXT by James Hynes
*Nick and Norah's Infinite Playlist by Rachel Cohn
*Nickel and Dimed by Barbara Ehrenreich
*NIGHT CIRCUS,THE by Erin Morgenstern

*NORTHERN LIGHT,A by Jennifer Donnelly
*NUMBER THE STARS by Lois Lowry

*OF MICE AND MEN by John Steinbeck
*OLD MAN AND THE SEA,The by Ernest Hemingway
*OLIVER TWIST by Charles Dickens
*Omnivore's Dilemna,The by Michael Pollan
*On The Road by Jack Kerouac
*ONE DAY by David Nicholls
*Other Boylen Girl,The by Philippa Gregory
*Our Lady of the Forest by David Gutterson
*OUTSIDERS, the by S.E. Hinton

*PAINTED VEIL,The by W.Somerset Maugham
*Paper Towns by John Green
*PARIS WIFE,THE by Paula McClain

*Passage, The by Justin Cronin
*Patron Saint of Liars,The by Ann Patchett
*PERSUASION by Jane Austen
*PHANTOM TOLLBOOTH,The by Norton Juster
*Physick Book of Deliverance Dane,The by Katherine Howe
*PICTURE OF DORIAN GRAY,The by Oscar Wilde
*PILLARS OF THE EARTH,The by Ken Follett
*POISONWOOD BIBLE,The by Barbara Kingsolver
*POSSESSION by A.S. Byatt
*POWER OF NOW,The by Eckhart Tolle
*PRIDE AND PREJUDICE by Jane Austen
*Pride and Prejudice and Zombies by Seth Grahame-Smith
*PRINCESS BRIDE,The by William Goldman
*PURPLE HIBISCUS by Cimamamanda Ngozi Adichie

*Q & A by Vikas Swarup

*RAPTURE OF CANAAN by SHERI REYNOLDS
*Reader,The by Bernhard Schlink
*READING LOLITA IN TEHRAN by AZAR NAFISI

*REBECCA by Daphne du Maurier
*RED HERRING Without Mustard,A by Alan Bradley

*RED TENT by Anita Diamant
*Remedies by Kate Ledger
*Remember Me? by Sophie Kinsella
*Revolutionary Road by Richard Yates
*RHYTHM OF LIFE,the by Matthew Kelly
*ROAD,the by Cormac McCarthy
*ROAD OF LOST INNOCENCE,the by Somaly Mann
*ROCK ISLAND LINE by David Rhodes
*ROMANCING MISS BRONTE by Juliet Gael
*ROMEO AND JULIET by William Shakespeare
*Room by Emma Donoghue
*Running from the Puppet Master by D.L. Nelson


*Salmon Fishing in the Yemen by Paul Torday
*SALVAGE THE BONES by Jesmyn Ward

*Saturday by Ian McEwan
*SCHINDLER'S LIST by Thomas Kenneally
*Secret,The by Rhonda Byrne
*SECRET GARDEN,The by Frances Hogson Burnett
*Secret Life of Bees,The, by Sue Kidd Monk
*Sellevision by Augusten Burroughs
*Shack,the by William P. Young
*SHADOW OF THE WIND,The by Carlos Ruiz Zafon
*SHAKESPEARE: The World as Stage by Bill Bryson
*Shanghai Girls by Lisa See
*She's Come Undone by Wally Lamb
*SHINING,The by Stephen King
*SHIVERING SANDS,The by Victoria Holt
*Shopaholic Takes Manhattan by Sophie Kinsella
*SIDDHARTHA by Herman Hesse
*SILAS MARNER by George Eliot
*SILENCE OF THE LAMBS,The by Thomas Harris
*SLAMMERKIN by Emma Donoghue
*SNOW FLOWER AND THE SECRET FAN by Lisa See
*SO MUCH FOR THAT by Lionel Shriver
*SOLOIST,The by Steve Lopez
*Space Between Us, The by Thrity Umbrigar

*SPARROW,The by Mary Doria Russell
*SPEAK by Laurie Halse Anderson
*Special Topics in Calamity Physics by Marisha Pessl
*State of Wonder by Ann Patchett
*STEVE JOBS by Walter Isaacson

*Still Alice by Lisa Genova
*Storms and Secrets by Ann Summerville

*Story of Edgar Sawtelle,The by David Wroblewski
*STRANGER, The by Albert Camus
*STREETCAR NAMED DESIRE,A by Tennessee Williams

*Stumbling on Happiness by Daniel Gilbert
*SUITE FRANCAISE by Irene Nemirovsky
*Sun also Rises,The by Ernest Hemungway
*SURGEON,The byTess Gerritsen
*Swamplandia by Karen Russell
*SWEETNESS AT THE BOTTOM OF THE PIE,The by Alan Bradley

*TALL STORY by CANDY GOURLAY
*TEAM OF RIVALS by Doris Kearns Goodwin
*TELL NO ONE by Harlan Coben
*Tender is the Night by F. Scott Fitzgerald
*Thank You For the Music Stories by Jane McCafferty
*That Old Cape Magic by Richard Russo
*Thing About Life is that One Day You'll Be Dead,The by David Shields
*THIRTEENTH TALE,The by Diane Setterfield
*THEIR EYES WERE WATCHING GOD by Zora Neale Hurston
*THIS IS WHERE I LEAVE YOU by Jonathan Tropper
*THIS IS YOUR BRAIN ON MUSIC by Daniel Levitin
*THORNBIRDS,the by Colleen McCullough
*Thousand Splendid Suns,A by Khaled Hosseini
*THREE CUPS OF TEA by Greg Mortensen
*Three Filipino Women by Jose F. Sionil
*TIME TRAVELER'S WIFE, The by Audrey Niffeneger
*TO KILL A MOCKINGBIRD by Harper Lee
*Tortilla Flat by John Steinbeck
*TRAVELS WITH CHARLEY by John Steinbeck
*TREE GROWS IN BROOKLYN,A by Betty Smith
*TUCK EVERLASTING by Natalie Babbitt
*Twilight by Stephenie Meyers
*TWO RIVERS by T. Greenwood

*Ultimate Hitchhiker's Guide to the Galaxy,The by Douglas Adams
*Unbearable Lightness of Being,The by Milan Kundera
*Unraveling the Mysteries of the Big Bang Theory by George Beahm

*UNTIL I FIND YOU by John Irving
*Up at the Villa by W. Somerset Maughan
*Up in the Air by Walter Kirn

*Vanishing Acts by Jodi Picoult
*Vanishing Acts of Esme Lennox,The by Maggie O'Farrell
*VERY LONG ENGAGEMENT,A by Sebastien Japrisot
*VIRGIN SUICIDES,The by Jeffrey Eugenides

*Waiting by Ha Jin
*WAKING LAZARUS by T.L. Hines
*WALK IN THE WOODS,A by Bill Bryson
*WASHINGTON SQUARE by Henry James
*WATER FOR ELEPHANTS by Sara Gruen
*We the Animals by Justin Torres
*WEED THAT STRINGS THE HANGMAN'S BAG by Alan Bradley
*Weird Sisters,The by Eleanor Brown
*Westing Game,The by Ellen Raskin

*WHAT COLOR IS YOUR BRAIN by Sheila Glazov
*What Should I do with My Life by Po Bronson
*WHERE SHE WENT by Gayle Forman
*WHISKY SOUR by J.A. KONRATH

*White Teeth by Zadie Smith
*White Tiger,The by Aravind Adiga
*WHO MOVED MY CHEESE by Spencer Johnson
*WHOLE NEW MIND,A by Daniel H.Pink
*WILL GRAYSON, WILL GRAYSON by John Green & David Levithan
*Willow by Julia Hoban
*Wind-up Bird Chronicle,The by Haruki Murakami
*Witch Hunt by Ian Rankins
*WIZARD OF OZ,THE by L.Frank Baum

*WOMAN IN WHITE,The by Wilkie Collins
*WOLF AT THE TABLE, A by Augusten Burroughs
*WONDER BOYS by Michael Chabon

*WORLD IS FLAT,The by Thomas L. Friedman
*WORTH MORE DEAD by Ann Rule
*Wrinkle In Time,A by Madeleine L'Engle
*WRITTEN ON THE BODY by Jeanette Winterson
*WUTHERING HEIGHTS by Emily Bronte

*YEAR OF MAGICAL THINKING by Joan Didon
*Year of Wonders by Geraldine Brooks
*YOU CAN BE HAPPY NO MATTER WHAT by Richard Carlson
*You on a Diet by Michael Roizen

a Gorgeous Long Weekend of Reading

in the backyard, my favorite reading place:

Thursday, May 27, 2010

54. the GIRL who KICKED the HORNETS' NEST


Stieg Larsson 2007
Translated from the Swedish by Reg Keeland

This definitive conclusion to the Millennium Trilogy masterfully unravels most of Lisbeth Salander's convoluted cruel past, introduces many sub-plots and answers most of the questions from the last two books with the very riveting and satisfying last 100 pages.

'Dr. Jonasson was woken by Nurse Nicander five minutes before the helicopter was exxpected to land. It was just before I.30 in the morning.'(5)

'The axe isn't still in his head. I assume it was Salander who nailed him. His real name is Alexander Zalachenko and he's Lisbeth's father. He was a hit man for Russian military intelligence. He defected in the '70s and was then on the books of Sapo until the collapse of the Soviet Union. He's been running his own criminal network ever since.'(19)

'She was surprised to be alive. Yet she felt indifferent. If death was the black emptiness from which she had just woken up, then death was nothing to worry about. She would hardly notice the difference. With which esoteric thoughts she closed her eyes and fell asleep again.'(50)

'She has been called a psychopath, a murderer, and a lesbian Satanist. There has been almost no limit to the fantasies that have been circulated about her. In this issue, Millenium will tell the story of how government officials conspired against Salander in order to protect a pathological murderer...'(52)

'"The Section" was Francke's idea. He called it "the last line of defence". An ultra-secret unit that was given strategic positions within the Firm, but which was invinsible. It was never referred to in writing, even in budget memoranda, and therefore it could not be infiltrated.'(88)

'Teleborian's report from 1991 has been leaked, and it's potentially as serious threat as Zalachenko.'(113)

'She was afraid that it was a moral issue, and that was one of his weaknesses. He was Salander's friend. She knew her brother. She knew that he was loyal to the point of foolishness once he had made someone a friend, even if the friend was impossible and obviously flawed.'(178)

'Besides, he had--literally--rootled around in her brain. Someone who rummaged around in your brain had to be treated with respect. To her surprise she found the visits of Dr. Jonasson pleasant, despite the fact that he poked at her and fussed over her fever chart.'(181)

'It's not over. The conspiracy is continuing. It's the only way to explain the tapped telephones, the attack of Annika, and the double theft of the Salander report. Perhaps the murder of Zalachenko is a part of it too.'(190)

'Your job description as a journalist is to question and scrutinize most critically. And never to repeat claims uncritically, no matter how highly placed the sources in the bureaucracy. Don't ever forget that. You're a terrific writer, but the talent is completely worthless if you forget your job description.'(203)

'Putting a mobile telephone into an air vent inside a locked cleaning supplies room, turned on but not uplinked, was so crazy that Ghidi could not imagine what use it could be.'(223)

Her heart skipped a beat. It's my Palm. But how...In amazement she glanced over at the locked door. Jonasson was a catalogue of surprises. In great excitement she turned on the computer at once and discovered that it was password-protected.'(252)

'Hacker republic comprised a very exclusive club of the best of the best, an elite force that any defense organization in the world would have paid enormous sums to use for cyber-military purpose...'(258)

'The only person who can decide your future is you. It doesn't matter how hard Annika works for you, or how much Armansky and Palmgren and I, and others, try to support you.. I'm not going to try to convince you one way or the other. You've got to decide for yourself. You could turn the trial to your advantage or let them convict you. But if you want to win, you're going to have to fight.'(286)

'She had decided to go along with Blomkvist's plan. That was why she had written the plain, unvarnished truth about her life in a crackingly terse autobiography of forty pages. She had been quite precise. Everything she has written was true.' (375)

'And I guess that in some way I'm falling for you because you are who you are. It's easy to sleep with you because there's no bullshit and you make me feel safe.'(451)

'It was a question of credibility. She had come as herself and no-one else. Way over the top--for clarity. She was not pretending to be someone she was not. Her message to the court was that she had no reason to be ashamed or to put on a show. If the court had a problem with her appearance, it was no concern of hers.'(493)
_____________________________________

Great Britain edition 2009
599 pages
Book borrowed from my friend SHK, February 2010

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Personal Note: Although this is the last book, somehow, I am left with the same feeling as most that there were supposed to be more...

Wednesday, May 26, 2010

53. the GIRL who PLAYED with FIRE

Stieg Larsson 2009
Translated from Swedish by Reg Keeland

This very entertaining 2nd book of the Millennium Trilogy pairs yet again Mikael Blomkvist, publisher and Lisbeth Salander, brilliant computer hacker into proving Lisbeth's innocence after she becomes the prime suspect in the murder of a journalist and his girlfriend just before the couple was due to publish their book about sex trade in Sweden. Lisbeth has to solve the murder while confronting her dark past.

"She lay on her back fastened by leather straps to a narrow bed with a steel frame. The harness was tight across her rib cage. Her hands were manacled to the sides of the bed."(3)

"She had discovered that the most effective method of keeping fear at bay was to fantasize about something that gave her a feeling of strength. She closed her eyes and conjured up the smell of gasoline."(4)

"He had come to realize that she was a world-class hacker, and within an exclusive international community devoted to computer crime at the highest level--and not only to combating it--she was a legend. She was known online only as Wasp."(13)

"Bjurman wrote down the words All The Evil. The years in foster homes? Some particular attack?"(39)

"Of all the crimes involving the sex trade, 99.9 percent are not reported to the police, and those that are hardly ever lead to change. This has got to be the biggest iceberg of all in the Swedish criminal world." (73)

"The theme of the May issue is the sex trade. The point we have to make is that trafficking is a crime against human rights and that these criminals must be exposed and treated like war criminals or death squads or torturers anywhere in the world."(75)

"In this sense there is a sort of gender perspective to my thesis. It's not often that a researcher can establish roles along gender lines so clearly. Girls--victims; boys--perpetrators."(79)

"She felt that some fundamental change had taken place or was taking place in her life. Maybe it was having access to billions of kronor and not having to think about every krona she spent. Maybe it was the adult world which was belatedly pushing its way into her life."(84)

"Mimmi and Salander did not have the same taste in clothes, furniture, or intellectual stimulation. Correction: Mimmi had taste and definite views on how she wanted her living quarters to look, what kind of furniture she wanted, and what sort of clothes one should wear. Salander had no taste whatsoever, Mimmi realized."(109)

"Dear Lisbeth, I'm writing this letter and leaving it on my hard drive knowing that sooner or later you'll read it...The events of the past few days have linked us again, whether you like or not...Help me. Please. What's the connection? Mikael."(250)

"What is she trying to say? Is Zala the link between Bjurman and Dag and Mia? How? Why? Who is he? And how did Salander know that? How is she involved?"(270)

"She was irritated by the passport photograph that appeared everywhere. She looked stupid."(311)

"As Salander watched Teleborian's face on TV, her heart became a little lump of ice. She wondered whether he still used the same disgusting aftershave. He had been responsible for what was defined as her care."(316)

"He had a state-endorsed mandate to tie down disobedient little girls with leather straps."(317)

"There are no innocents. There are, however, different degrees of responsibility."(323)

"It was completely impossible to box with her. She had only one style, which we called Terminator Mode. She would try to nail her opponent, and it didn't matter if it was just a warm-up of friendly sparring."(338)

"Paolo Roberto backed up, breathed as steadily as he could, and took stock. He's no boxer. He moves like a boxer, but he can't box for shit. He's only pretending. He can't block. He telegraphs his punches. Ans he's slow as a tortoise."(384)

First United States Edition
503 pages
Book owned

Tuesday, May 25, 2010

52. the OLD MAN and the SEA


Ernest Hemingway 1952

A heartening symbolic novella of Santiago, an old man from Cuba, out too far into the sea, alone, courageously attempting to catch and take back home a big marlin, the big one of his dreams.

"He was an old man who fished alone in a skiff in the Gulf stream and he had gone eighty-four days now without taking a fish. In the first forty days a boy had been with him. But after forty days without a fish the boy's parents had told him that the old man was now definitely and finally salao, which is the worst form of unlucky..."(9)

"He was too simple to wonder when he had attained humility. But he knew he had attained it and he knew it was not disgraceful and it carried no loss of true pride."
(14)

"Age is my alarm clock...Why do old men wake so early? Is it to have one longer day?"
(24)

"He no longer dreamed of storms, nor of women, nor of great consequences, nor of great fish, nor fights, nor contests of strength, nor his wife."(25)

"Why did they make the birds so delicate and fine as those sea swallows when the the ocean can be so cruel? She is kind and very beautiful. But she can be so cruel and it comes so suddenly and such birds that fly, dipping and hunting, with their small sad voices are made too delicately for the sea."(29)

"He always thought of the sea as la mar which is what people call her in Spanish when they love her. Sometimes those who love her say bad things of her but they are always said as though she were a woman."(29)

"But the old man always thought of her as feminine and as something that gave or withheld great favours, and if she did wild or wicked things it was because she could not help them. The moon affects her as it does a woman, he thought."(30)

"But what a great fish he is and what will he bring in the market if the flesh is good. He took the bait like a male and he pulls like a male and his fight has no panic in it. I wonder if he has any plans or if he is just as desperate as I am?"(49)

"His sword was as long as a baseball hat and tapered like a rapier and he rose his full length from the water and then re-entered it, smoothly like a diver and the old man saw the great scythe-blade of his tail go under and the line commenced to race out."(62)

"But I will say ten Our Fathers and ten Hail Marys that I should catch this fish and I promise to make a pilgrimage to the Virgin of Cobre if I catch him. That is a promise."(64)

"He is a great fish and I must convince him, he thought. I must never let him learn his strength nor what he could if he made his run."(63)

"The old man was dreaming about the lions."(127)
________________________________________________

First Scribner trade paperback edition 2003
127 pages
Book borrowed from the Library

________________________________________________

Personal Note: I reread this, since I remember liking this book eons and eons ago, and somehow, I ended liking it even more.

Saturday, May 22, 2010

51. the FORGOTTEN GARDEN



Kate Morton 2008

A highly intricately woven story of three women, Nell, Eliza and Cassandra, mysteriously connected together by a suitcase with a fairy tale book that started a journey from Queensland, Australia to London and Cornwall, at the Cliff Cottage where the secrets of the forgotten garden is delicately revealed.

"It was dark where she was crouched but the little girl did as she'd been told. The lady had said to wait, it wasn't safe yet, they had to be as quiet as larder mice. It was a game, just like a hide-and-seek."(3)

"Later, when her grandmother had slipped into unconsciousness again, Cassandra wondered at the mind's cruel ability to toss up flecks of the past. Why, as she neared her life's end, her grandmother's head should ring with the voices of the people long since gone. Was it always this way? Did those with passage booked on death's silent ship always scan the dock for faces of the long-departed?"(14)

"Beneath the notebook she found the book of fairy tales. The cover was green cardboard, the writing gold: Magical Tales for Girls and Boys, by Eliza Makepeace."(36)

"All the secrets that had materialized in her grandmother's wake were beginning to knit together. Nell's unknown parentage, her arrival as a child at an ocean port, the suitcase, the mysterious trip to England, this secret house..."(58)

"Later, when she looked back upon events, Cassandra knew it was the suitcase that found her, just as it had done the first time."(80)

"As the ocean continued to stretch below, Cassandra turned to the first story and began to read, a story called "The Crone's Eyes," which she recognized from the hot summer's day long ago." (94)

"You mustn't wait for someone to rescue you...A girl expecting rescue never learns to save herself. Even with the means, she'll find her courage wanting. Don't be like that, Eliza. You must find your courage, learn to rescue yourself, never rely on someone else." (122)

"They are strands of hair, Eliza, taken from the women in my family. My grandmother's her mother's before, and so on. It's tradition. This is called a mourning brooch...Because it reminds us of those we've lost. Those who came before and made us who we are." (124)

"Then she folded his memory a gently as she could, wrapped it in the layers of emotion--joy, love, commitment--for which she no longer had need, and locked the whole deep inside her." (142)

"You mustn't speak your name. It's a game we're playing. That's what the Authoress had said. Nell could hear it now, the silvery voice, like a breeze off the ocean surface. It's our secret. You mustn't tell."(164)

"The prospect of an early death sits differently upon each person. In some it gifts maturity far outweighing their age and experience" calm acceptance blossoms into a beautiful nature and soft countenance. In others, however, it leads to the formulation of a tiny ice flint in their heart. Ice that, though at times concealed, never properly melts."(239)

"Even the most pragmatic person fell victim at times to a longing for something other."(254)

"Rose Mountrachet at eighteen was fair indeed: white skin, a cloud of dark hair swept back in loose braid and the full bosom so fashionable in the period."(268)

"It was a garden, a walled garden. Overgrown but with beautiful bones visible still. Someone had cared for this garden once. The remains of two paths snaked back and forth, intertwined like the lacing on an Irish dancing shoe. Fruit trees had been espaliered around the sides, and wires zigzagged from the top of one wall to the top of another. Hungry wisteria branches had woven themselves around to form a sort of canopy. Against the southern wall, an ancient and knobbled tree was growing... It was the apple tree..."(314)

"She of course, had her heart set on a greater match & will not see that I care for not one whit for money or title. Those are her desires for me, & while I confess I once shared them, I do so no longer--How can I when my Prince has come for me and unlatched the door to my golden cage?"(333)

"In each man's heart there lies a hole. A dark abyss of need, the filling of which takes precedence over all else. Adeline suspected that Nathaniel Walker's hole was pride, the most dangerous pride, that of the poor man."(337)

"If a windsock is left suspended for years on end, without opportunities for rest or repair, the harsh winds will invariably tear holes in its fabric. So too, Lady Mountrachet, your daughter must be allowed time to recuperate. Must be shielded from the strong winds that threaten to rend her asunder."(407)

"Deep within the heart of the cottage, behind a special door with a shiny lock, there was a very precious object. A Golden Egg whose glow was said to be brilliant, so beautiful, that those whose eyes lit upon it were rendered instantly blind."(471)

First Atria Books hardcover edition April 2009,
549 pages
Book borrowed from the Library

Thursday, May 20, 2010

50. GONE with the WIND


Margaret Mitchell 1936

A historical romance of epic and dramatic proportions, set in the South during the Civil War. This classic gave us the two most unforgettable and adored characters in American literature: Scarlett O'Hara and Rhett Butler. Scarlett is a Southern Belle who is charming and attractive but is also selfish, self-centered and relentless who loved a man already taken, married three men: two she didn't love, and the third, she didn't know she loved. Rhett, Scarlett's dashing rescuer, intelligent, utterly confident and a self-made man who truly loved Scarlett until it was too much to bear.

"Scarlett O'Hara was not beautiful, but men seldom realized it when caught by her charm as the Tarleton twins were."

"For Ashley was born of a line of men who used their leisure for thinking, not doing, for spinning brightly colored dreams that had in them no touch of reality...He looked on people, and he neither liked nor disliked them. He looked on life and was neither heartened nor saddened. He accepted the universe and his place in it for what they were and, shrugging, turned to his music and books and his better world."

"Beneath his choleric exterior Gerald O'Hara had the tenderest of hearts...It had never occurred to him that only one voice was obeyed on the plantation--the soft voice of his wife Ellen. It was a secret he would never learn, for everyone from Ellen down to the stupidest field hand was in a tacit and kindly conspiracy to keep him believing that his word was law."

"Let's don't be too hot headed and let's don't have any war. Most of the misery of the world has been caused by wars. And when the wars were over, no one ever knew what they were all about."

"What Melanie did was no more than all Southern girls were taught to do--to make those about them feel at ease and pleased with themselves. It was this happy feminine conspiracy which made Southern society so pleasant. Women knew that a land where men were contented, uncontradicted and safe in possession of unpunctured vanity was likely to be a very pleasant place for women to live."

"Scarlett had thrown herself on the bed and was sobbing at the top of her voice, sobbing for her lost youth and the pleasures of youth that were denied her, sobbing with the indignation and despair of a child who once could get anything she wanted by sobbing and now knows that sobbing can no longer help her. She burrowed her head in the pillow and cried and kicked with her feet at the tufted counterpane."

"The Cause didn't seem sacred to her. The war didn't seem to be a holy affair, but a nuisance that killed men senselessly and cost money and made luxuries hard to get."

"He looked, and was a man of lusty and unashamed appetites. He had an air of utter assurance, of displeasing insolence about him, and there was a twinkle of malice in his bold eyes as he stared at Scarlett, until finally, feeling his gaze, she looked toward him."

"When I first met you, I thought: There is a girl in a million. She isn't like these other silly little fools who believe in everything their mammas tell them and act on it, no matter how they fee. And conceal all their feelings and desires and little heartbreaks behind a lot of sweet words. I thought: Miss O'Hara is a girl of rare spirit. She knows what she wants and she doesn't mind speaking her mind--or throwing vases."

""Mrs. Charles Hamilton--one hundred and fifty dollars--in gold."
A sudden hush fell on the crowd both at the mention of the sum and at the name. Scarlett was so startled she could not even move."

"There was something exciting about him that she could not analyze, something different from any man she had ever known. There was something breath-taking in the grace of his big body which made his very entrance into a room like an abrupt physical impact, something in the impertinence and bland mockery of his dark eyes that challenged her spirit to subdue him."

"Scarlett, our Southern way of living is as antiquated as the feudal system of the Middle Ages. The wonder is that it's lasted as long as it has. It has to go and it's going now."

"But, Scarlett, you need kissing badly. That's what's wrong with you. All your beaux have respected you too much, though God knows why, or they have been too afraid of you to really do right by you. The result is that you are unendurably uppity. You should be kissed and by someone who knows how."

"This was an inferno of pain and smell and noise and hurry--hurry--hurry! The Yankees are coming! The Yankees are coming!"

"Hunger gnawed at her empty stomach again and she said aloud: As God is my witness, and God is my witness, the Yankees aren't going to lick me. I'm going to live through this, and when it's over, I'm never going to be hungry again. No, nor any of my folks. If I have to steal or kill - as God is my witness, I'm never going to be hungry again."

"Why was Scarlett O'Hara, the belle of the County, the sheltered pride of Tara, tramping down this rough road almost barefoot? Her little feet were made to dance, not to limp, her tiny slippers to peep daringly from under bright silks, not to collect sharp pebbles and dust. She was born to be pampered and waited upon, and here she was, sick and ragged, driven by hunger to hunt for food in the gardens of her neighbors."

"For 'tis the only thing in the world that lasts...and to anyone with a drop of Irish blood in them the land they live on is like their mother...'Tis the only thing worth working for, fighting for, dying for."

"You wanted something from me and you wanted it badly enough to put on quite a show. Why didn't you come out in the open and tell me what it was? You'd have stood a much better chance of getting it, for if there's one virtue I value in women it's frankness. But no, you had to come jingling your earbobs and outing and frisking like a prostitute with a prospective client."

"She could talk to him about almost everything, with no care for concealing her motives or her real opinions and she never ran out of things to say as she did with Frank--or Ashley, if she must be honest with herself."

"The world can't lick us but we can lick ourselves by longing too hard for things we haven't got any more--and by remembering too much. Yes, Will will do well by Suellen and by Tara."

"We're not wheat, we're buckwheat. When a storm comes along it flattens ripe wheat because it's dry and can't bend with the wind. But ripe buckwheat's got sap in it and it bends. And when the wind has passed, it springs up almost as straight and strong as before. We aren't a stiff-necked tribe. We're mighty limber when a hard wind's blowing, because we know it pays to be limber. When trouble comes we bow to the inevitable without any mouthing, and we work and we smile and we bide our time. And we play along with the lesser folks and we take what we can get from them. And when we're strong enough, we kick the folks whose necks we've climbed over. That, my child, is the secret of the survival."

"He drew a short breath and said lightly but softly:
"My dear, I don't give a damn.""

"After all, tomorrow is another day."